風景並不總是存在於眼前。
有時候，它存在於記憶之中；存在於某個午後的照片裡；存在於曾經停留過的街道、窗景、山影或物體之間。隨著時間流逝，具體的細節逐漸淡去，留下來的往往不是事物原本的模樣，而是光線、色彩與感受交織而成的印象。而當光落下時，照亮的不只是眼前的景物，也照見了記憶停留的地方。
繪畫像是一場未知的探索，對李如玲而言，在畫布上的每一次覆蓋、堆疊與重組，都像是在尋找某種尚未被言說的內在景象，畫面中的符號、線條及色塊，也反應了創作者深層的自我表現與情緒想像，使作品在具象與抽象之間形成一種流動而開放的狀態。
本次展覽以《光落下的地方》為題。「光」在這裡並非單純的自然現象，而更像是一種觀看的契機。它使事物顯現，也使事物模糊，照亮外在景象的同時，也映照出內在的感受。當光落下，風景不再只是風景，而成為了記憶與想像交會的場域。
Landscape is not always something that exists before our eyes.
Sometimes, it resides in memory; in a photograph taken on a quiet afternoon; in a street once passed through, a view from a window, the silhouette of a mountain, or the space between objects. As time passes, specific details gradually fade, and what remains is often not the original appearance of things, but an impression woven from light, color, and feeling. When light falls, it illuminates not only the world before us, but also the places where memory lingers.
For Julianne Lee, painting is a journey into the unknown. Each act of covering, layering, and reworking the canvas becomes a search for an inner landscape that has yet to be fully articulated. The symbols, lines, and fields of color that emerge reflect the artist’s deeper impulses of self-expression and emotional imagination, allowing her works to exist in a fluid and open space between the representational and the abstract.
This exhibition, Where the Light Falls, considers light as more than a natural phenomenon. Here, light becomes a moment of perception. It reveals, yet it also obscures. While illuminating the external world, it simultaneously reflects inner sensations and memories. As light falls, landscape ceases to be merely landscape, becoming instead a place where memory and imagination converge.
｜作者自述｜
當我面對畫布時，繪畫是神祕而深邃豐饒的，這繪畫行為像是一種未知的探險，含蘊著無限的驚奇和變化。
在我繪畫的風格裡，嘗試拋開具體的 ”形”，想以簡化的空間或符象，來描繪一種幽靈般的幻想情境。
這種在平面上留下符象的衝動，反應了一種深層自我表現的能量與慾念。也表達了我的想像與內在現象。